Стенд арт-студии на Русском фестивале в Оттаве
Exhibition at the MMFA – Toulouse-Lautrec’s Prints & Posters
Анри де Тулуз-Лотрек в Монреале. Плакаты и постеры
Когда эмоции бьют через край!
Самое яркое событие лета. Олимпийские игры в Бразилии на выставке и презентациях в Русской школе в сентябре
1-2 А класс занял первое место в конкурсе “Олимпийский вундеркинд” на знание летних олимпийских видов спорта.
Классный руководитель – Анна Писарева. Поздравляем победителей!
Путешествие в лето. Фотодневник
ЦДХ в Москве. Иван Айвазовский. К 200-летию со дня рождения
Лев Бакст. Выставка в Москве. ГМИИ имени А.С. Пушкина
“Билет в СССР”. Ретро-музей в ПКиО “Сокольники” в Москве
Казань. Государственный музей изобразительных искусств Республики Татарстан. Выставка «Чудотворный Казанский образ Богоматери. Казанский Богородицкий монастырь»
Где живет туман? Гора Ай-Петри. Крым
UK London. Trafalgar Square. The National Gallery
Другая Доминикана. Национальный парк Самана
– Назовите три причины, по которым вы любите свою работу школьного учителя?
– Июнь, июль, август…
Russian School New Year Party
Выставка рисунков по сказке “Морозко” на новогоднем празднике в русской школе
Open lesson with parents “Monet: A Bridge to Modernity”. National Art Gallery
Открытый урок на выставке Клода Моне
Colours of Jazz
The Beaver Hall Group
1920s Modernism in Montreal
October 24, 2015, to January 31, 2016
“The Beaver Hall Group, although initially considered to be a Montreal counterpart to Toronto’s Group of Seven, stood apart through their work: rather than offering an image of Canadian identity through depictions of the untamed landscapes of a northern country, the Montreal artists imbued the inhabited landscapes of a northern culture with the colours of modernity.
They also painted many portraits that convey this same quest for modernism; these works rank among the most remarkable in the history of Canadian art. The male-female parity within the group — a first in Quebec as in Canada — is another resolutely modern trait.
The exhibition shows how the question of gender goes hand in hand with the idea that the group’s diversity fuelled rich and fruitful exchanges. Although short-lived, the Beaver Hall Group provided rich soil for abundant and substantial art-making, now inextricably linked with the history of art in Montreal, Quebec and Canada.” /MMFA/
Не пропустите!
PAFA. That’s interesting!
Музей и первая в Северной Америке Школа Искусств. Филадельфия, США
“The Pennsylvania Academy of the Fine Arts is a museum and art school in Philadelphia. It was founded in 1805 and is the first and oldest art museum and art school in the United States. The academy’s museum is internationally known for its collections of 19th- and 20th-century American paintings, sculptures, and works on paper. Its archives house important materials for the study of American art history, museums, and art training. Designed by the American architects Frank Furness and George Hewitt” /From Wikipedia, the free encyclopedia/
Тематическая выставка второго полугодия
НORSE SHOW-2015
к 150-летию со дня рождения Валентина Серова (1865-1911)
Участники выставки:
Работы русского живописца Валентина Серова
Эмили Карр (1871-1945) Выставка в Галерее Онтарио. Торонто
AGO/From the Forest to the Sea: Emily Carr in British Columbia
April 11 – August 9, 2015
“Emily Carr is one of Canada’s greatest artists, best known for her paintings of west coast native villages and forest and seashore landscapes.
Born in Victoria in 1871, early studies took her to San Francisco and London.
Tracing a dramatic journey from darkness to light, and from winter to summer, the exhibition features nearly 100 paintings, watercolours and drawings by Carr, including rarely seen sketches, works drawn from private collections as well as the recently discovered illustrated journal Sister and I in Alaska, in which Carr documented her pivotal 1907 trip up and down the Northwest Coast. Visitors will travel with Carr as she explores this landscape and its indigenous communities, searching for a sense of place and self in both her brooding forest scenes and the euphoric skyscapes of her late career.
In dialogue with Carr’s paintings, the exhibition features more than 40 historic indigenous artifacts from the Pacific Northwest Coast, including masks, baskets and ceremonial objects by Haida, Kwakwaka’wakw, Nuu-chah-nulth, Salish, Tsimshian and Tinglit makers.”